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John Wilson's avatar

You may well have done so already, but if not, you must read Hugh Kenner's superb lecture/essay, "Magics & Spells," published as a chapbook by Bennington (where the lecture was given).

Ted Gioia's avatar

Thanks. I know and admire Hugh Kenner's work (and even spoke to him on the phone on one occasion). But I haven't read this essay. I'll track it down.

Sherman Alexie's avatar

Great post, especially about the reminder to contemporary musicians about the power of fearful music. But I somewhat disagree with your take that YA fiction is less dark now. A lot of YA fiction deals with death, abuse, agony, and other such topics without the mythical and mystical metaphors and analogies.

Mariana B Gonya's avatar

As someone with a 14 year old, I hear this.

John Wilson's avatar

You will love it. It also appeared in the journal Parnassus (in 1988) and in a collection called The Ordering Mirror, ed. Phillip Lopate (Fordham, 1993), where the title was pedantically edited to read "Magic and Spells."

Don Cody's avatar

I'm not sure that they could, but some current bards are capable

David Cain's avatar

Very interesting. And the "Bruce Lee" of semi-modern bards might be Barry Manilow -> https://www.npr.org/2022/02/14/1080623397/new-zealand-protests-james-blunt-barry-manilow

Andy K's avatar

The practice is still alive in Canada. #RamRanchResistance

Jeronimous's avatar

Now we know what Father Jack was up to over in that ratty chair.

Donald Brewster's avatar

No wonder white conservatives are scared of rap . . . 🙄😉

Mariana B Gonya's avatar

Modernity seems to hyper-focus on words, mind, thought. I counter that the melodies, tones, intervals, were the strongest part of the magic. I work with alternate scales and healing potential of the music itself, not frequencies alone, but frequencies contextualized in musical keys, scales.