Modernity seems to hyper-focus on words, mind, thought. I counter that the melodies, tones, intervals, were the strongest part of the magic. I work with alternate scales and healing potential of the music itself, not frequencies alone, but frequencies contextualized in musical keys, scales.
Modernity seems to hyper-focus on words, mind, thought. I counter that the melodies, tones, intervals, were the strongest part of the magic. I work with alternate scales and healing potential of the music itself, not frequencies alone, but frequencies contextualized in musical keys, scales.
Modernity seems to hyper-focus on words, mind, thought. I counter that the melodies, tones, intervals, were the strongest part of the magic. I work with alternate scales and healing potential of the music itself, not frequencies alone, but frequencies contextualized in musical keys, scales.