A wax recording of Enrico Caruso singing "Vesti la giubba" from Ruggero Leoncavallo's "I Pagliacci", was re-engineered many years ago by digital signal processing pioneer Thomas Stockham and his student Neil J. Miller at the University of Utah in an attempt to recreate the true sound of Caruso's voice. Charles Dodge used this recording …
A wax recording of Enrico Caruso singing "Vesti la giubba" from Ruggero Leoncavallo's "I Pagliacci", was re-engineered many years ago by digital signal processing pioneer Thomas Stockham and his student Neil J. Miller at the University of Utah in an attempt to recreate the true sound of Caruso's voice. Charles Dodge used this recording in his early-1980s composition 'Any Resemblance is Purely Coincidental'. Caruso's remixed voice combined with an original accompanying piano composition (seen in performance at the North Carolina School of the Arts with piano played by Robert Suderburg) was a haunting piece that displayed a perfect mix of technology and music.
A wax recording of Enrico Caruso singing "Vesti la giubba" from Ruggero Leoncavallo's "I Pagliacci", was re-engineered many years ago by digital signal processing pioneer Thomas Stockham and his student Neil J. Miller at the University of Utah in an attempt to recreate the true sound of Caruso's voice. Charles Dodge used this recording in his early-1980s composition 'Any Resemblance is Purely Coincidental'. Caruso's remixed voice combined with an original accompanying piano composition (seen in performance at the North Carolina School of the Arts with piano played by Robert Suderburg) was a haunting piece that displayed a perfect mix of technology and music.