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NUK's avatar

If it makes you feel any better, PJ Morton's music is so generic that I forget it as I listen to it. I would be offended NOT being blocked by him.

That said, being a member of Maroon 5 isn't exactly something I would brag about. That's like being a top-selling item at Wal*Mart. It's music for people who don't like music.

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janramsey@offbeat.com's avatar

This lack of respect for music landmarks in New Orleans and throughout Louisiana is nothing new. The neglect of this property and the others mentioned here is a demonstration of the lack of care of its musical heritage that characterizes New Orleans and the state as a whole. In five words: These people do not get it. More people outside the city care about New Orleans and Louisiana music than the people who actually live here. However, New Orleans is a very poor city and unless someone with some money and concern for our music historical heritage steps up to the plate, I don't feel as though things will ever change here. IMO, the Greater St. Stephens Church/Morton family is primarily to blame for the Bolden house. They have owned the property and have done nothing to at least keep it from deteriorating. Owners of the Karnofsky property, Perserverance Hall, etc. also obviously did not value the properties' historical and cultural value. This has been going on for decades and decades. No care or appreciation. Personally, I think that the best guardian of these important landmarks would be a non-profit entity that would identify, catalog and be responsible for preserving—and marketing the importance of—all of these properties. The Jazz & Heritage Foundation would be ideal, but am waiting to see the day. Again, this lack of respect for our musical heritage is always top of mind for me. I've railed against it for years in OffBeat, and we've written about it so many times. for example: https://www.offbeat.com/articles/armstrongs-new-orleans/

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