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Dennis Clason's avatar

I started out in college as a performance major, wanting a seat in one of the majors. My applied trombone teacher held one of those seats. My instrument didn't come out of the case for the most valuable lesson he gave me. This was late in my freshman year. I met him at his house (he preferred his home studio to the school's) and instead of going to the studio he took me to his game room in the basement. He asked me what I wanted to do with my performance degree. I said I wanted a seat in one of the major orchestras. He asked me how many jobs I thought there were. I said I thought there were a dozen major orchestras in the US, so maybe 40 or so.

"That would include tenor and bass chairs, right?" he asked.

"Yeah."

"You're a little low. There are 20 or so orchestras that pay a living salary. Call it 80 or so jobs, and 25 to 30 year careers. Two or three jobs open up a year. How many people go on the audition circuit a year?"

"I don't know," I said. "But do the numbers and it has to be 1- 200 coming out of conservatories. Not all will go on the circuit. So, call it 100 a year?"

"More or less. Do you know how I got my job?"

"No."

He told me his predecessor took a sabbatical leave, and he was signed to a one year temporary contract. During the sabbatical, his predecessor announced his retirement. The orchestra signed him to a second one-year contract while they organized the audition. He applied, of course, and as a courtesy (because he was the incumbent) he was advanced to the final round. When the curtain came down, he was one of a few candidates they wanted to play with the section. The other members of the section told the MD and the audition committee, "We've been playing with him for two years. We all know he works in the orchestra. Just hire him." So he was hired.

"I was in the right place, at the right time, and I was prepared. But I got lucky, too. I didn't have to go through the preliminary round. You have the talent. Only you know if you have the drive to fulfill that goal. But you need to understand that the audition circuit is a crapshoot. Orchestras don't cover travel expenses for auditions: you pay for the opportunity to play.

"Think about it."

I did. I had already hedged my bet by continuing to take STEM classes. I changed my major to Biology a week later. I continued to take music classes, and continued lessons. We are coming on 50 years since that lesson. I had a great career as a university professor, and now I have a second career in pharmaceutical research. Oh, and I play in a community wind ensemble, a British style Brass Band, and I had my first rehearsal in the pit for a production of Meredith Wilson's The Music Man today. It isn't the career I envisaged in high school, but if I don't like a conductor, I don't have to play. If I don't like the music, I don't have to play.

There are a few things on my bucket list I haven't gotten to play: Hindemith's Symphonic Metamorphoses is at the top of the list. I have gotten to play some things I didn't expect to play when I changed majors: Sibelius' Seventh Symphony, Saint-Saens Organ Symphony, all the Tchaikovsky Symphonies, etc. I wouldn't change a thing.

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JanieJane's avatar

The old joke is: What's the hardest thing to do on the guitar? Make money. It's sadly true. Discouraging.

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